Posts about Technique

  • Au Voleur*

    The next in my series of theatrical photographs, featuring fellow photographer Tilman Jentzsch.

  • Lessons in lighting

    A photograph from a session in Zurich, and the lessons in lighting and technique which make it one of the more successful session shots of the past few months.

  • Having bought a Mamiya 645 a few months ago, I wanted to make a return to the traditional chemical processing techniques which I used for many years until switching to a digital workflow in 2004. I’m interested in the difference in print quality – in terms of sharpness and colour reproduction – between traditional printing…

  • The most inspirational photographs are often those where the lighting plan doesn’t play a major role; those where the idea and aim of the picture takes the lead.

  • Written confirmation from the media relations team of the SBB/CFF/FFS that photography for private use in their railway stations is allowed and does not require a permit.

  • Stephanie

    Subtle lighting

    A new colleague joined our team at the day job this week, so as usual, I was called into service to take portrait shots for our team’s blog and website.

  • After seeing a few shots around the internet in a certain darkened, de-saturated style, I asked around to see if anyone was familiar with the post-processing technique which is used to create it.

  • The date for the next Swiss Strobist photographic meetup in Lausanne (Switzerland) has been selected.

  • If you want to take a photo of someone else that they’ll be happy with, or if you’re being photographed, then here are the most important non-technical tips to remember.

  • By whittling down pictures while you are still shooting, or when you are trying to assess their merits on a tiny little screen, you always run the risk of deleting a shot which later turns out to be one you really like.

  • With the arrival of warmer weather and longer, sunnier evenings, I am able to begin using a technique which works in many places with dark, deep shadows and small patches of bright sunlight. Here are a few examples and a description of how to achieve this kind of shot. The shots in this article are…

  • Alien abduction

    That was the idea, anyway. I’ve been inspired by Nick Turpin’s street shots, using high, undiffused strobes, and have been experimenting on and off with the technique. This is a shot from this evening in the woods near my home, which uses a single flashgun on a 3 metre stand out of shot to the…

  • My Mamiya

    I arranged to go to the bi-annual photographic market in Bern this weekend with Beat, to see what accessories we can find for our medium-format cameras. Being tired last night, at the end of a tiring day and long week, I forgot completely that the market is on Sunday, not Saturday. Unfortunately, I only realised…

  • Winter vines

    An exercise in depth of field with my new 50mm/f1.8 lens.

  • A work colleague, backlit by the sun coming in through the window, flash laid on keyboard and bounced from laptop screen at 1/8 power to give f 2.8 at ISO 100. Fill-in flash from camera right at 1/1 power (losing 2 stops due to diffusion). And a little bit of dark vignette added during post-processing…

  • Henri Cartier-Bresson, on the topic of the photographer’s intrusion on everyday life. Poetic, apposite and worth remembering. …approach the subject on tiptoe, even if it is a still life. Let your steps be velvet but your eye keen; a good fisherman does not stir up the water before he starts to fish…refrain from snapping rapidly…

  • Security threat

    Not a great photo, but I’m posting it in order to wind up a security guard and highlight the photographic policy in the Wellgate shopping centre in Dundee. Moments after taking this, I was accosted and asked what I was doing. This photo is dangerous material, as I could’ve been taking this shot of the…

  • We’re planning a day/afternoon of photography on the ETH Campus at Hönggerberg in Zürich, on Sunday 21st September. We’re planning on separating into a couple of groups, with one or more experienced strobist photographer/s with a group of people eager to learn. We’ll set up a couple of shots, explain the lighting setup and then…

  • This Lladró statue, designed by Francisco Català, was a gift from my parents and fits well with my photographic tendencies. It is also a great test piece for studio photography, so when I was looking to test flash technique this evening (in particular, soft lighting) it was immediately brought out. The statue is around 13″…

  • I’ll be photographing a band in Bern at the end of next week with a couple of friends and so Jo and I headed to Bern last weekend to scout out some locations. We headed for the lower, older part of the city below Kornhausplatz and wandered down through Rathausgasse, stopping off at St. Peter…