Yannick’s lightbox

Wow. Two years. It’s taken me two whole years to get around to writing about the photos I took for Choo Choo in 2010-2011, which they used to accompany their superb self-produced video for the single We Go. The two photo shoots to produce these photos were a little unusual but I really enjoyed…

Yannick’s lightbox

Unexpected locations

Brooke Shaden is a wonderfully creative photographer, whose images make me wish that I had the opportunity to spend more time on creating and editing more theatrical images. But I can’t complain; my time is, after all, spent on pursuing other passions and fascinating goals. One of the problems I came across when shooting for my…

Unexpected locations

Selective lighting magic

What makes a picture is often the main subject. But a little attention to detail can also work wonders and turn a nice picture into a really nice picture. Walking in the park with friends last autumn, towards the end of a couple of hours shooting portraits, the lighter patches between the trees caught my eye. There were a few…

Selective lighting magic

My basic Lightroom workflow

Adobe Lightroom is a boon to the photographer. With the introduction of intelligent repair tools, it has now entirely replaced Photoshop for me, and I can not only tweak photos but also re-edit them to quite a level of detail. One of the great features of Lightroom is the ability to save a group of settings as a “preset”…

My basic Lightroom workflow
Video preview image

Against the wobble

Jo commented that the video I shot under windy conditions on Iona was remarkably steady. I did my best to hold the camera as steady as I could whilst filming, but the wind got the better of me and so the original film sequence is quite wobbly. The final version on YouTube, linked in this blog post, was auto-corrected using…

Against the wobble

Post-processing an image doesn’t mean it’s no longer a photograph

There’s a lot of criticism in the world of photography. Not just the personal opinion of someone who likes or dislikes your photo, but also more general criticism on the subject of such things as originality and inspiration, equipment, or what makes a “photograph” as opposed to an creative image. The biggest argument used to come from photographers who were…

Post-processing an image doesn’t mean it’s no longer a photograph

It’s not about the tool you use

Pro photographer Zack Arias is thrown down the challenge of taking street portraits using nothing but a point-and-shoot camera and an optically-triggered second flash gun. Zack’s ebullient approach and the results we see towards the end of the film show that photography isn’t about using really expensive equipment.

It’s not about the tool you use