Post series Strobist

Strobist” is a term coined by American photographer David Hobby, who was one of the first bloggers to hit the mainstream and help his readers learn more about the use of artificial lighting techniques on a budget.

  • One of the reasons I organize photographic meetup days is so that I can learn new techniques and use equipment that I might not have encountered before.

  • VW Golf 1.9 TDI 2002

    Four-wheeled tripod

    Jo and I take our new VW Golf for a test run in the Swiss alps, visiting the Diemtigtal valley for the first time.

  • Out of the blue

    Jo posed for me in the stairwell to an underground car park during last Sunday’s Swiss Strobist practical day, whilst I fiddled with the camera white balance to create an unusual effect.

  • I’ve learned a lot about artificial lighting over the past few years and invested a great deal of time to hone my skill. However, I feel that it’s time to put the equipment to one side for a while and focus on using more natural light.

  • Photos from my day in the studio with the Swiss Strobist group.

  • Studio fun

    I return to the studio this weekend, to use full studio lighting for the first time in many years and share experience and ideas with a number of colleagues from the Swiss Strobist group.

  • Second image from a shoot in Bern, inspired by 1980 classic horror film “The Shining”.

  • I am continually on the lookout for interesting and characterful places to use in my photography and I am compiling a list of possible locations, to which I can return in the future and use in my photography.

  • A technical explanation of how do make the light from a softbox more focused, whilst retaining the soft light through the use of a secondary light on very low power to fill in any unwanted shadows.

  • Helios 5 in 1

    A technical review and explanation of the Helios 5 in 1 reflector/diffuser combination, which I added to my collection of equipment this week.

  • Sven

    Sometimes, an image stands alone, with no need for description.

  • Open air studio

    After trying out the lighting technique I mentioned yesterday, of a large diffused light source right above the subject, I wanted to apply the technique to an outdoor location. When we set up the shots under cover in Interlaken (but outside), the first problem was that there were no suitably white walls to hand. If…

  • I learned an important lesson in portrait photography last weekend: that of how ready the subject is to see themselves in an honest and detailed image, when they may be seeing themselves this way for the first time.

  • An unplanned shot, taken of volunteer Niels for the One Frame Movie set of photographs I was working on a few weeks back.

  • Au Voleur*

    The next in my series of theatrical photographs, featuring fellow photographer Tilman Jentzsch.

  • Iron Mauro

    The next in the series of One Frame Movie shots which I’m cramming into this and next week is of a colleague from work: Mauro (also known on Twitter as @ironmauro).

  • A gallery of photographs from the Strobist portrait day at the EPFL in Lausanne, Switzerland.

  • The most inspirational photographs are often those where the lighting plan doesn’t play a major role; those where the idea and aim of the picture takes the lead.

  • Steam train Strobist

    Werner Rolli organized a special steam train event near Solothurn last weekend, and I was able to help out by publicizing the event through the usual Swiss Strobist channels, as well as attend the event and get some photos myself.

  • A gallery of portrait images I’ve taken of team colleagues at work, for use on the team website.

  • Katrin in Interlaken

    A portrait gallery of my friend Katrin, taken at three locations on the shores of Lake Thun near Interlaken.