Blog posts

  • Editing multiple shots of the same scene together to get a massively-improved level of sharpness throughout the image.

    Read more

  • Frozen snow drift at Männlichen

    By applying the right colour profile to your photo, you can get a much more nuanced version than through simple editing.

    Read more

  • Getting the best shot possible is all about chance, timing and consideration of the correct angle.

    Read more

  • A score out of five

    Because I take so many photos, and because I like sharing photos online, I have to be critical of my results and only share the best. Mainly, so that people don’t get bored of seeing so much of my stuff.

    Read more

  • Using bounced flash to improve the quality of light in your portraits.

    Read more

  • Adobe integrates panoramic stitching in Lightroom CC

    Cooing over the lovely new panorama stitching function in Adobe Lightroom 6.

    Read more

  • Square landscapes with the X-T1

    Where my love for the square image format comes from, and how it is achieved in the Fujifilm X-T1 digital camera.

    Read more

  • Creating long exposure photographs with movement and blur leads to great images. But if you want a pin-sharp photo, you’ll need to be patient.

    Read more

  • Yannick’s lightbox

    Wow. Two years. It’s taken me two whole years to get around to writing about the photos I took for Choo Choo in 2010-2011, which they used to accompany their superb self-produced video for the single We Go. The two photo shoots to produce these photos were a little unusual but I really enjoyed them,…

    Read more

  • Using an excessive amount of noise reduction in Lightroom produces a lovely, subtle, painterly effect.

    Read more

  • Unexpected locations

    Unexpected locations

    Brooke Shaden is a wonderfully creative photographer, whose images make me wish that I had the opportunity to spend more time on creating and editing more theatrical images. But I can’t complain; my time is, after all, spent on pursuing other passions and fascinating goals. One of the problems I came across when shooting for…

    Read more

  • Using your shoulder as a camera rest

    A tip I passed on to a participant at a photo workshop last weekend was one I learned from Joe McNally: not on how to light your subject or how to interact with them, but how to manage your heavy camera. By holding the camera in one hand and the flash in another, with the…

    Read more

  • Selective lighting magic

    What makes a picture is often the main subject. But a little attention to detail can also work wonders and turn a nice picture into a really nice picture. Walking in the park with friends last autumn, towards the end of a couple of hours shooting portraits, the lighter patches between the trees caught my…

    Read more

  • My basic Lightroom workflow

    Adobe Lightroom is a boon to the photographer. With the introduction of intelligent repair tools, it has now entirely replaced Photoshop for me, and I can not only tweak photos but also re-edit them to quite a level of detail. One of the great features of Lightroom is the ability to save a group of…

    Read more

  • Against the wobble

    Against the wobble

    Jo commented that the video I shot under windy conditions on Iona was remarkably steady. I did my best to hold the camera as steady as I could whilst filming, but the wind got the better of me and so the original film sequence is quite wobbly. The final version on YouTube, linked in this…

    Read more

  • There’s a lot of criticism in the world of photography. Not just the personal opinion of someone who likes or dislikes your photo, but also more general criticism on the subject of such things as originality and inspiration, equipment, or what makes a “photograph” as opposed to an creative image. The biggest argument used to…

    Read more

  • The Blue Hour

    The time between sunset and complete darkness is known in photographic circles as “the blue hour”.

    Read more

  • Ezybox Speed-Light

    First experiences with my new ultra-compact and ultra-light Ezybox Speed-Light softbox.

    Read more

  • It’s not about the tool you use

    Pro photographer Zack Arias is thrown down the challenge of taking street portraits using nothing but a point-and-shoot camera and an optically-triggered second flash gun. Zack’s ebullient approach and the results we see towards the end of the film show that photography isn’t about using really expensive equipment.

    Read more

  • You may recall that I wrote about HDR technique some time ago, and a technique I employed at a wedding last weekend reminded me to write about the alternative: Tone Mapping and Zone System exposure.

    Read more

  • The second of two photographic portraiture and lighting days this summer will take place at the Rolex Learning Centre on the grounds of the EPFL in Lausanne on Sunday 19th August.

    Read more