Posts about züriflickrdrinks
Jo, Ziegel Oh Lac Restaurant, Wollishofen, Switzerland
Visiting Nick’s exhibition: nickyoon.com/exhibition/
View largerBruno, Losing His Religion, Winterthur, Switzerland
Strobist info: two optically-fired speedlights, one perpendicular to subject, one at 80° left of subject. Ambient light -2 stops.
View largerRed Coat III, Winterthur, Switzerland
Strobists may like to read what I wrote about last weekend’s workshop in Winterthur. www.permanenttourist.ch/2008/03/08/strobism-winterthur-sw…
View largerRed Coat II, Winterthur, Switzerland
Taken during the zürlflickrdrinks portrait and lighting workshop, in Winterthur last Saturday. One cable-controlled flash at 45° right, one slave unit on the ground at 90° left. And Jo jumping her heart out. Details of future Swiss-based strobe (off-camera flash) fun here.
View largerRed Coat I, Winterthur, Switzerland
Strobist info: two radio-controlled speedlights for the pillars, one slave unit above and to the left. Thanks to Beat for the use of his equipment!
View largerStrobism, Winterthur, Switzerland
So, yeah. Quiet here. I’m working like a demon and I can’t tell you about my main private project – still – for fear that the information will leak into the wrong hands and spoil. Nothing bad at all, rather exciting, in fact, as many people who are in the know will be able to […]
Read moreThe Final Shot, Winterthur, Switzerland
Thanks to Jo for the idea, Eke and Victor for the lighting, Bruno and Beat for the acting! "Making of" photo here. Also looks great on a darker background. Strobist info: two speedlights on full power fired by radio transmitter, one from off-camera top left, one off-camera bottom left.
View largerLunch, Maison Blunt, Zürich
Shot with a loaned Voigtländer Bessa R2 with 50mm lens, using Ilford FP4 pushed three stops to 800 ASA. I’m quite pleased with the results, though I think I’ll use a film with a higher ASA rating next time instead of push-processing, to get "cleaner" grain.
View largerLunch menu, Maison Blunt, Zürich
Shot with a loaned Voigtländer Bessa R2 with 50mm lens, using Ilford FP4 pushed three stops to 800 ASA. I’m quite pleased with the results, though I think I’ll use a film with a higher ASA rating next time instead of push-processing, to get "cleaner" grain.
View larger