Permanent Tourist

The personal website of Mark Howells-Mead

Posts from 2012

  • AvatarDay 2012

    AvatarDay 2012

    The date is out for AvatarDay 2012 in Bern, when you can get a free portrait taken by Barbara Hess.

  • Arosa Road

    When I read online that the road leading up into the mountains from Chur to Arosa was particularly windy, I scoffed, having ascended the mountain passes on many occasions.

  • Jo and I visited Graubünden (again) for our anniversary this year, and settled on the Hotel Seehof in Arosa.

  • The Weather Project

    Visiting Olafur Eliasson’s “The Weather Project” with family, at the Tate Modern gallery in London. The figures in the top of the picture are reflected in the mirror-like ceiling of the vast turbine hall.

  • Film is fab

    A new blog “find”, containing both appealing medium-format film photographs and a plethora of technical information, by Ashley Pomeroy.

  • I spent a couple of days in London in June, primarily to spend time taking documentary photographs on the streets I used to pound when I lived in England. One of the things which strikes me is how so many things seem to be commercialized by supermarkets: from the Queen’s Diamond Jubilee to the simple…

  • Keeping your data safe

    Using a mixture of password segments stored digitally and a second segment stored manually, access to online systems becomes highly secure.

  • First Fliers

    First Fliers

    Jo’s parents have been with us for the past couple of weeks and one of their requests was to visit First, the mountain area above the eastern side of the Grindelwald valley. To see the views, you might think? No. To feed their ornithological needs and visit the alpine choughs? No. To hang from a zip…

  • Good things

    Cool new techniques for creating responsive websites and for saving you loads of time when writing CSS are helping me to rebuild the technical infrastructure of this (and other) websites.

  • Goodbye Chris

    Goodbye Chris

    Chris Moyles hosts his last radio show on BBC Radio 1 after 15 years with the station.

  • First experiences with my new ultra-compact and ultra-light Ezybox Speed-Light softbox.

  • London’s new cable car

    An eight minute ride across the River Thames in London… by cable car.

  • When we visited southern Germany in 2011, one of the places I wanted to see was the former Nazi Party rally ground on the outskirts of Nuremberg. The site is one of huge historic importance and although all of the identifying insignia have been absent for nearly seventy years, much of the foundations and layout…

  • Aareschwumm

    Aareschwumm

    Swimming in the river at Bern in Switzerland.

  • Yesterday’s free portrait and lighting workshop at the Rolex Learning Centre in Lausanne was an unmitigated success, with just the right amount of photographers taking part to allow everyone to make new friends, work well together, and come up with some great shots.

  • My first non-personal book is available for preview and purchase in my Blurb online bookstore.

  • I was at the Street Parade dance festival on the streets of Zurich again this past weekend. This first set of photos shows some of the participants of the floats, as they wait patiently to take their position in the parade which leads through the centre of the city.

  • (Post originally begun in 2011.) Along with most other households in Switzerland, I received a pre-printed flyer from the Schweizerische Volkspartei (SVP) at the end of last week. (Obivously the person delivering them didn’t bother to check the name on the post box, in our case.) The flyer has been timed to coincide with the…

  • Nadav Kander talks about his portraiture

    Photographer Nadav Kander talks about his portraiture in this 13 minute film.

  • C’était un Rendezvous

    One of my favourite pieces of non-fiction film: an eight and a half minute sequence filmed by Claude Lelouch on the streets of Paris in 1976.

  • It’s not about the tool you use

    Pro photographer Zack Arias is thrown down the challenge of taking street portraits using nothing but a point-and-shoot camera and an optically-triggered second flash gun. Zack’s ebullient approach and the results we see towards the end of the film show that photography isn’t about using really expensive equipment.